![]() I can’t help wondering how different this all might have been, if only Wood had been able to enjoy some of the benefits now provided to creators with the direct sales market. ![]() In 1966 Wood arrived at the bold solution of publishing his comics, and those by others, for himself in the seminal witzend magazine, and later from 1978 in his Tolkin-esque graphic novel epic The Wizard King. Sadly, his grand, optimistic ambitions would eventually fade or collapse. After Marvel, Wood pursued different paths in his constant desire for the freedom to create his worlds on paper in whatever way he wished, and to control his work’s publication, distribution and rewards. I use them when I need them, but they have no power over me."īoth companies were very different from the supportive atmosphere at EC Comics in the Fifties, where Woody shone notably on the classic Harvey Kurtzman MADs, also now available as DC Archives, and their horror, SF and shock titles. Instead, Wood soon came to have no illusions about either Marvel or DC, damning them both as "fascist states. We can only imagine what wonders Wood might have created for the House of Ideas, had he been allowed more credit and stayed on. For example, years before young superstars like Jim Steranko and Barry Windsor Smith first rejected the poor conditions and nonexistent royalties and rights available to mainstream comic book creators in the early seventies, Wood had walked away from Stan Lee’s Marvel Comics in 1965 after his short but brilliant revitalisation and redesign of Daredevil. Wood repeatedly rebelled against the exploitation and shortsightedness of many editors and publishers in the comics industry, as well as the stifling constraints of the Comics Code Authority. So now’s a good time to look back at this unique and complex maverick. Patrol to deluxe editions of The King Of The World, the first volume in his trilogy The Wizard King, and Lunar Tunes, a previously unpublished satirical roller-coster created shortly before his death in 1981 and out in June from Vanguard Productions. Agents Archives and Dark Horse’s M.A.R.S. The last few months have seen a spate of handsome reissues of the late Wally Wood’s work, from DC’s T.H.U.N.D.E.R. You may have to select a menu option or click a button.A notice on his studio wall warned any potential imitators that, "There’s is only one Wally Wood and I’M HIM!" Follow the instructions for disabling the ad blocker on the site you’re viewing.You may have more than one ad-blocker installed. ![]() You’ll usually find this icon in the upper right-hand corner of your screen. Click the icon of the ad-blocker extension installed on your browser.When it turns gray, click the refresh icon that has appeared next to it or click the button below to continue.Click on the large blue power icon at the top.Click the UBlock Origin icon in the browser extension area in the upper right-hand corner.It will turn gray and the text above will go from “ON” to “ OFF”. ![]() Click on the “ Ad-Blocking” button at the bottom.Click the Ghostery icon in the browser extension area in the upper right-hand corner.Switch off the toggle to turn it from “ Enabled on this site” to “ Disabled on this site”.Click the AdBlocker Ultimate icon in the browser extension area in the upper right-hand corner.“ Block ads on – This website” switch off the toggle to turn it from blue to gray.Click the AdBlock Plus icon in the browser extension area in the upper right-hand corner.Refresh the page or click the button below to continue.Under “ Pause on this site” click “ Always”.Click the AdBlock icon in the browser extension area in the upper right-hand corner.Adblock Adblock Plus Adblocker Ultimate Ghostery uBlock Origin Others
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